Acoustic

An acoustic guitar usually has six strings numbered from 6 (lowest) to 1 (highest) and tuned E A D G B E respectively.

Acoustic

Arpeggio

acoustic technique

The strings are picked successively to create a broken chord accompaniment. This can be effective both as an alternative to strumming, or used over the top of strummed chords.

Capo

acoustic technique

A capo is fitted onto the guitar at a specific fret, effectively acting as a permanent bar across that fret and allowing open strings to be played at a higher pitch.

Chorus

acoustic effect

The sound is delayed then, with a little modulation added, mixed back in with the original sound.

Delay

acoustic effect

The sound is delayed then mixed back in with the original sound.

Double Stop

acoustic technique

Two adjacent strings are played simultaneously to create two note licks.

Fingerstyle

acoustic technique

The fingers of the right hand are used to play a pattern of strings as the left hand finger the chords.

Hammer On

acoustic technique

A note is played at a given fret on the fingerboard then another finger is used to hammer down on a higher fret on the same string.

Harmonic Bend

acoustic technique

An harmonic is played and the note is then bent upwards in pitch by pressing the string down behind the nut.

Harmonics

acoustic technique

Natural harmonics occur on frets 12, 7, 5, and (to a lesser extent) 9 and 4. The string is touched directly above these frets while plucked resulting in a high pitched, bell-like sound. Other types of harmonics include touched, fretted and pinched.

Leslie

acoustic effect

This effect is usually used with organ sounds. It emulates the rotating speakers of the famous Leslie Speakers.

Low Pedal

acoustic technique

A low pedal note is played along with and/or between each note of the riff.

Percussive Mute

acoustic technique

The left hand rests lightly on the strings, muting them, resulting in a percussive sound on strumming.

Pull Off

acoustic technique

This can be viewed as the reverse of the hammer on. A note is played, then the finger playing that note is pulled off the string to sound the lower note. The lower note can be fretted or open.

Rake

acoustic technique

The pick is raked down muted strings to the string sounding the played note creating a percusive sound.

Slide

acoustic technique

A note is played and, while still holding the note down, the finger is slid up or down the neck of the guitar to another note. In a slide the only two notes you can hear are the first and last notes, in a glissando every note is articulated.

Strum

acoustic technique

A rhythm is created by sounding large groups of the strings simultaneously with the pick or by striking with the fingers.

Tap

acoustic technique

A finger from the right hand is used to tap a string onto the fretboard in order to sound a note. Two finger tapping involves tapping down two fingers simultaneously.

Vibrato

acoustic technique

A played note is moved rapidly to produce a fluctuation in pitch that gives a richness to the tone. This can be done either along or across the neck. There exists an effect called vibrato that produces this fluctuation in pitch electronically.

Bass

A bass guitar usually has four strings tuned an octave down from the bottom four strings on a normal, treble, guitar i.e. E A D G.

Bass

Chorus

bass effect

The sound is delayed then, with a little modulation added, mixed back in with the original sound.

Distortion

bass effect

Distortion is a generic term for the sound produced by fuzz, overdrive and distortion effects. The gain of the signal is increased so high that the wave is clipped and distortion occurs.

Double Stop

bass technique

Two adjacent strings are played simultaneously to create two note licks.

Hammer On

bass technique

A note is played at a given fret on the fingerboard then another finger is used to hammer down on a higher fret on the same string.

Harmonics

bass technique

Natural harmonics occur on frets 12, 7, 5, and (to a lesser extent) 9 and 4. The string is touched directly above these frets while plucked resulting in a high pitched, bell-like sound. Other types of harmonics include touched, fretted and pinched.

Low Pedal

bass technique

A low pedal note is played along with and/or between each note of the riff.

Palm Mute

bass technique

The right hand is used to dampen the strings at the bridge to dull the sound they emit.

Pick

bass technique

The bass is most effectively played with the fingers, however, many bass players use a pick to sound the strings.

Pre Bend

bass technique

In a pre bend the string is bent before you play it. The string is played from the top of the bend and allowed to bend back to its original position.

Pull Off

bass technique

This can be viewed as the reverse of the hammer on. A note is played, then the finger playing that note is pulled off the string to sound the lower note. The lower note can be fretted or open.

Slap

bass technique

The strings are slapped rather than plucked to create a more aggressive sound. This technique really only works on the bass guitar

Slide

bass technique

A note is played and, while still holding the note down, the finger is slid up or down the neck of the guitar to another note. In a slide the only two notes you can hear are the first and last notes, in a glissando every note is articulated.

Strum

bass technique

A rhythm is created by sounding large groups of the strings simultaneously with the pick or by striking with the fingers.

Tap

bass technique

A finger from the right hand is used to tap a string onto the fretboard in order to sound a note. Two finger tapping involves tapping down two fingers simultaneously.

Wah

bass effect

A variable footpedal is used to control a variable resonance band pass filter. The pedal can be used to produce a rythmic fluctuation or, left stationary, can act simply as a static filter.

Electric

An electric guitar usually has six strings tuned like an acoustic but, as in the case of an acousitc guitar, twelve string equivalents exist and many guitarists choose to use different tunings to create different sounds.

Electric

Bend

electric technique

The string is bent while a note is sounding to raise its pitch. Often, more than one string is bent simultaneously.

Chorus

electric effect

The sound is delayed then, with a little modulation added, mixed back in with the original sound.

Delay

electric effect

The sound is delayed then mixed back in with the original sound.

Distortion

electric effect

Distortion is a generic term for the sound produced by fuzz, overdrive and distortion effects. The gain of the signal is increased so high that the wave is clipped and distortion occurs.

Double Stop

electric technique

Two adjacent strings are played simultaneously to create two note licks.

Flange

electric effect

Essentially this the same as phasing but the delay times used can be slightly larger and feedback is used to create a 'whooshy' sound.

Hammer On

electric technique

A note is played at a given fret on the fingerboard then another finger is used to hammer down on a higher fret on the same string.

Harmonic Bend

electric technique

An harmonic is played and the note is then bent upwards in pitch by pressing the string down behind the nut.

Harmonics

electric technique

Natural harmonics occur on frets 12, 7, 5, and (to a lesser extent) 9 and 4. The string is touched directly above these frets while plucked resulting in a high pitched, bell-like sound. Other types of harmonics include touched, fretted and pinched.

Humaniser

electric effect

A resonance filter is used to produce an effect similar to mouthing words. It is possible to get a tube to fit in the mouth to control this effect - sometimes called a 'talkbox'.

Low Pedal

electric technique

A low pedal note is played along with and/or between each note of the riff.

Palm Mute

electric technique

The right hand is used to dampen the strings at the bridge to dull the sound they emit.

Phase

electric effect

This effect was originally created by running two tape recorders playing the same track and altering the speed of one causing the tracks to sweep in and out of phase with each other. This is an example of a digital unit approximating the effect.

Pre Bend

electric technique

In a pre bend the string is bent before you play it. The string is played from the top of the bend and allowed to bend back to its original position.

Pull Off

electric technique

This can be viewed as the reverse of the hammer on. A note is played, then the finger playing that note is pulled off the string to sound the lower note. The lower note can be fretted or open.

Rake

electric technique

The pick is raked down muted strings to the string sounding the played note creating a percusive sound.

Ring Modulation

electric effect

This effect takes two input signals and produced two out put signals comprising two new frequencies based on the sum and difference of the input frequencies. This was used to create the 'Dalek' voices in Dr Who.

Scrape

electric technique

The pick is scraped down the wound strings to create a grinding sound. This technique is usually used with a distortion effect.

Slide

electric technique

A note is played and, while still holding the note down, the finger is slid up or down the neck of the guitar to another note. In a slide the only two notes you can hear are the first and last notes, in a glissando every note is articulated.

Strum

electric technique

A rhythm is created by sounding large groups of the strings simultaneously with the pick or by striking with the fingers.

Tap

electric technique

A finger from the right hand is used to tap a string onto the fretboard in order to sound a note. Two finger tapping involves tapping down two fingers simultaneously.

Tremolo

electric effect

The volume of the signal is altered rhythmically. The degree and speed of the tremolo can be altered.

Unison Bend

electric technique

Two notes are played simultaneously, the lower of the two is then bent upwards into unison with the higher.

Vibrato

electric technique

A played note is moved rapidly to produce a fluctuation in pitch that gives a richness to the tone. This can be done either along or across the neck. There exists an effect called vibrato that produces this fluctuation in pitch electronically.

Wah

electric effect

A variable footpedal is used to control a variable resonance band pass filter. The pedal can be used to produce a rythmic fluctuation or, left stationary, can act simply as a static filter.